Horizon Series #3
Oil on Canvas
16" X 20"
Price: 1500.00

Horizon Series #12
Oil on Canvas
16 " X 20"

Price: 1500.00

Horizon Series #17
Oil on Canvas
18 " X 24"

Price: 1750.00

Horizon Series #21
Oil on Canvas
16 " X 20"

Price: 1500.00

 

The Horizon Series (above) was painted between 1993 and 1996. There were a total of about 52 in the series. Most of them were painted in oil on 16" X 20" stretched canvas. All are different and represent a minimalist representation of a sky above and a reflecting body of water below with a flat land mass horizon between.

My goal was to walk the line between abstraction and realism so well that one could look at the works and see them as a realistic landscapes or a totally abstract works at the same time - depending on one's mood or inclination. But along the way, in producing this series, I realized that something else was happening. I noticed that whenever I painted a gradation of one color smoothly transitioning to another, and those colors were analogous, that each color appeared to enhance the other. In other words, if red transitioned into orange, the red made the orange look more orange and the orange made the red look more red. It was as if the eye was attempting to compare a spot of orange in the painting to a spot of redder orange next to it and a spot of yellower orange on the other side of it and concluding that the color it was looking at was more intense that it would be all by itself. This really excited me because I had always been and still am extremely interested in discovering how to intensify colors or our perception of them by manipulating the painting surface.

So, it turned out that since each Horizon painting was not only a minimalist painting of a sky and water, but a color enhancement experiment as well, that this series took on a greater signifigance for me and attracted the critical acclaim of a highly respected art dealer and several art collectors. There are currently about 40 Horizon Series paintings available. The rest have been sold to art collectors through Ingrid Cooper Gallery in the Washington DC area.

Contractural arrangements allow me to sell this series outside the gallery and I will be placing selected Horizon Series paintings up for auction on eBay from time to time. If you would like to be notified when these will become available for auction on eBay, please email me with your request.

 

   
   

Gradient Series #1
Oil on Canvas
18" X 22"
Price: $1700.00

Gradient Series #5
Oil on Canvas
16" X 20"
Price: $1500.00

 

Gradient Series #6
Oil on Canvas
16" X 20"
Price: $1500.00

 

 

Gradient Series #12
Oil on Canvas
16" X 20"
Price: $1500.00

 

 

 
   

Gradient Series #13
Oil on Canvas
20" X 16"
Price: $1500.00

 

 

Gradient Series #27
Oil on Canvas
22" X 18"
Price: $1700.00

 

 

Gradient Series #29
Oil on Canvas
40" X 30"
Price: $5000.00

 

 

Gradient Series #40
Oil on Canvas
58" X 46"
Price: $10,000

 

 

The Gradient Series evolved out of the horizon series. I felt that the horizon series worked well with small sizes, but when I tried it on a larger size format, the gradients of the sky and water spread out over such a large area of canvas seemed to get lost. In an effort to produce larger works that incorporated the same elements as the horizon paintings, by retaining the intimacy while expanding in size, I decided to break up the larger canvases into multiple horizons side by side on the same canvas. This soon led to merely making gradients for the sake of gradients themselves. Gradients could then be placed into rectangles that had no relation to appearing like a landscape. In this respect, this series was purely abstract and didn't exist in two worlds simultaniously. Even so, some have similarities to known realistic objects or scenes.
   
   

Matrix Series #3
Oil on Canvas
40" X 32"
Price: $5000.00

 

 

Matrix Series #6
Oil on Canvas
62" X 44"
Price: $8000.00

 

 

Matrix Series #7
Oil on Canvas
48" X 36"
Price: $7000.00

 

 

Matrix Series #8
Oil on Canvas
48" X 36"
Price: $7000.00

 

 

The Matrix Series went further in this direction by almost eliminating the gradient altogether and indicating a gradient with shapes of flat color arranged next to each other in a matrix or grid. With some of the Matrix paintings I felt a need to coax more enhancement out of the flat colors, so I experimented with outlining. By outlining each flat color shape with darker and more saturated versions of each flat color, I felt I was able to enhance the color of each shape in the matrix. One could even say that each outlined matrix shape was a condensed gradient where the outline color was gradiating abruptly into the inner color all around the perimeter of the shape. So, with outlines, each matrix became a series of abrupt gradients within a series of segmented gradients. The interesting thing about Matrix Series #7 (shown above) is that it follows this sceme perfectly except for the white triangle near its center. That shaoe is outlined with three different colors, neither of which are a darler version of white nor a more saturated version of white. And why? Because there is no such thing as a saturated version of white nor is there such a thing as a dark version of white. A dark version of white would no longer be white, it would be gray. So, I outlined the white triangle with the three primary colors of light (red, green, and blue). This sparked my curiosity and I began wondering what could be done with the three primary colors of light when used on canvas. This led to thr RGB or (Red, Green, Blue) Series below and to a discovery about color perception that had not been previously documented anywhere.

 

   

RGB Series #1
Acrylic on Canvas
24" X 20 "
Not For Sale

 

RGB Series #2
Acrylic on Canvas
2 @ 20" X 24"
Not For Sale

 

RGB Series #4
Oil on Canvas
24" X 20 "
Not For Sale

 

RGB Series #5
Oil on Canvas
24" X 20 "
Not For Sale

 

RGB Series #6
Oil on Canvas
24" X 20 "
Not For Sale

 

RGB Series #7
Oil on Canvas
20" X 24 "
Not For Sale

 

RGB Series #9
Acrylic on Canvas
11" X 14 "
Not For Sale

 

RGB Series #10
Acrylic on Canvas
11" X 14 "
Not For Sale

 

RGB Series #11
Oil on Canvas
20" X 24 "
Not For Sale

 

RGB Series #12
Acrylic on Canvas
11" X 14 "
Not For Sale

 

RGB Series #14
Acrylic on Canvas
36" X 24 "
Not For Sale

 

RGB Flag
Oil on Canvas
48" X36 "

Not For Sale

 

The RGB Series began when I made a little discovery by accident while working on a color sketch for a Matrix series piece that I was thinking about painting. From my experience of working on Matrix #7 (above), I became interested in doing a matrix painting based soley on the colors red, green, and blue. I was planning on using white to create various tints of those three colors. So, I drew a small sketch in colored pencil of a matrix of triangles. I decided to use triangles because I was basing the matrix on three colors and triangles have three sides. Therefore I would be able to create a matrix that would never have to have two triangles of the same hue next to each other.

I completed the sketch and was reasonably satisfied with it - to the point where I thought it would make an interesting painting. I set the sketch down on a table in my studio and walked to the other side of the studio where I store my canvas and stretcher strips, to see what size I could work it up to. I grabbed a couple if strips that were unmarked and began walking back toward the table to measure them. As I looked across the room I saw my sketch on the table and was puzzled by its appearance. The colors that I had done the sketch in didn't look right. I distinctly remembered making certain triangles a light shade of pink. From across the roon, they seemed to appear orange though. At first I thought that I had mistakenly used an orange pencil instead of a red pencil for the red parts of the drawing, but as I approached the drawing, the oranges slowly changed back to pink. I couldn't believe my eyes so I stepped back again and watched in amazement as the color changed from pink to orange.

I then took the sketch and mounted it to an easle and walked back from the easle and watched the colors change even mor dramatically. I noticed that where the pink was very pale, those triangles tould almost change to yellow. I began to wonder if I had been working too long that day and that perhaps my eyes were tired and just playing tricks on me, so I went down to the house (the studio is a separate building), and asked Martha to come up and see if she could see the same thing I was seeing. She came up and was indeed able to see the same thing happen.

I had never heard of this effect in all of my color theory books. According to them, red yellow and blue were the primary colors of pigment. Some books proclaimed that magenta, yello, and cyan were the primary colors of pigment. But red, green and blue were supposed to be the primary colors of light - not pigment. One was supposed to be able to make yellow by blending red and green light. but that wasn't supposed to happen with pigment. With pigment when one mixes red and green, one gets brown. Granted these pigment colors were somehow blending visually at a distance, but that effect had never been documented anywhere by anyone. So I'm documenting it here, now.

I spent the next six or so months investigating this effect and came to quite a few conclusions about to produce the effect. This effect occurs even when a photograph of an rgb painting is substituted for the actual painting and the effect happens when viewed on a computer monitor. To see this effect for yourself, click on RGB #1 (above) to see an enlargement on your monitor screen. Study the colore in the design - especially the pinks and the reds. Then get back from your monitor about 8 to 10 feet. You will see the reds and the pinks become more yellowish. Some will almost appear to be a deep yellow. The other colors in the painting will change slightly and will cause the overall effect of the painting to appear to glow in an unusual way.

The exact mechanism behind this effect is probably optical and not psycological. It is probably not a matter of physics either, where the light waves merge while traveling through space or something like that. at any rate, I find these RGB Series paintings a lot of fun and very interesting to look at and experience. Presently none of the RGB Series paintings and drawings are for sale until after further definitive research on this effect is completed.

 

   
Blur #1 Cars on the Pike Metro Garage    

Blur North of Strathmore
Oil on Canvas
20 " X 16 "
Sold

 

 

Entrance to I 495 on the Pike
Oil on Canvas
36 " X 24 "
Price: $900.00

 

 

Grosvenor Metro Garage
Oil on Canvas
44 " X 35 "
Price: $1250.00

 

 

Chesapeake Lighthouse
Oil on Canvas
20 " X 16 "
Sold

 

   
Headlights on I 270 I 270 at Rush Hour The Pike from Strathmore Red Light at Garrett Park    

Headlamps on I270 South
Oil on Canvas
20 " X 16 "
Sold

 

I 270 South at Rush Hour
Oil on Canvas
47 " X 31 "
Price: $1375.00

 

The View North From Strathmore
Oil on Canvas
40 " X 30 "
Price: $1125.00

 

Red light at Garrett Park
Oil on Canvas
36 " X 30 "
Price: $995.00

 

   
The question I had for myself was: "Is there life after the RGB discovery?" The answer was of course, "Yes". Having done all of these abstract and geometric experiments, I returned to my roots: realism. After all, I started my art career as a portrait artist on the beaches of Chicago at the age of 9. Then I would walk from beach blanket to beach blanket asking everyone if they would like their portrait drawn. I charged fifty cents a piece then.
   

A press release about the RGB Series (shown above) can be found here (Word document).

Using the link below, you can order inexpensive prints of some of the images shown above from ImageKind.
Order a print here

You may also see my work at The Saatchi Gallery website.

Robert D. LeMar
moreinfo@rlemar.com

Other works by LeMar: -- Portraits -- More Representational --Sculpture